Jacinda Ardern's documentary is shameless self-promotion

The new documentary Prime Minister follows Jacinda Arderns rise, peak, and eventual retreat from public office, presenting itself as a deeply personal insight into political life. While it claims to be intimate, the experience often feels intrusive. Much of the footage appears to be captured by her partner, Clarke Gayford, creating the sensation of watching personal home videos rather than a traditional political film.

Whether this access uncovers the real Ardern or a carefully maintained public persona remains uncertain. The documentary opens in 2017, portraying Ardern, 37, as the youthful, photogenic Labour leader, celebrated by the public and media alike. This portrayal, imbued with near-religious admiration, emphasizes her status as the worlds youngest female elected leader and a symbol of millennial optimism.

There are undeniably powerful moments. Her pregnancy and early motherhood, especially caring for her daughter Neve while handling cabinet responsibilities, are depicted with raw honesty. Scenes of her struggling to balance breastfeeding and governance are particularly poignant, highlighting the immense challenges faced by working mothers. Her partner documents her tears, doubts, and exhaustion, providing moments of genuine emotional resonance.

However, questions linger about whether these glimpses are authentic or carefully staged to craft a sympathetic image. The narrative falters during her political decline. The Covid-19 lockdowns, presented as misunderstood and thankless, overlook the reasons for public frustration. The documentary portrays backlash as something that happened to her, rather than engaging with why many New Zealanders became disillusioned with her leadership. Protests, plummeting polls, and growing dissatisfaction are simplified, giving the impression of a PR exercise rather than an objective examination of her tenure.

By her resignation in January 2023, the film has fully embraced the idea that the nation failed to appreciate her contributions. Prime Minister is compelling not because it exposes Arderns true self, but because it demonstrates her meticulous effort to shape her legacy, even in intimate settings. Fans may be enthralled, critics skeptical, and casual viewers left questioning the necessity of two hours of domestic footage. Ultimately, the documentary showcases image management more than political reality.

Author: Natalie Monroe