Uncovered WW2 bomb damage found during town hall renovations
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Renovation work at Leeds Town Hall has exposed the full extent of damage caused by a World War Two air raid. The historic Grade I listed building has been closed to the public since 2021 for a 19.8 million refurbishment, which includes a new accessible entrance, box office, and bar.
The restoration project also covers the Victoria Concert Hall and the buildings iconic organ, originally opened by Queen Victoria in 1858. Completion was initially scheduled for spring 2026, but the discovery of extensive damage from the 1941 bombing, combined with deteriorating repair work from previous decades, has extended the timeline. The reopening is now expected by the end of next year.
The air raids on the nights of 14 and 15 March 1941, known as the Quarter Blitz, saw the German Luftwaffe strike Leeds city centre. Sixty-five people lost their lives, and many buildings, including the Town Hall, sustained significant damage.
Leeds City Council confirmed that urgent structural work is required to ensure the building is safe for visitors. Dan Doherty, regional director for Kier Construction North and Scotland, noted: "Heritage projects often reveal hidden layers of history once work begins, necessitating adjustments to original plans."
Restoration efforts will also focus on conserving delicate architectural features, such as stone masonry, intricate plasterwork, and original doors, preserving the Town Halls historic character.
The Victoria Hall within the Town Hall is undergoing refurbishment, while the organ is being restored by specialists to enhance its sound for concerts and performances.
The renovation is designed to enable the venue to host larger events and improve accessibility, creating a world-class performance space at the heart of one of Leeds key heritage buildings. Salma Arif, executive member for adult social care, active lifestyles, and culture, described the Town Hall as holding a "completely unique and cherished place in the story of the city." She added that the project will ensure audiences can enjoy performances in the building for generations to come.
Author: Sophia Brooks
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